“I only did my duty to God and my country, and every man should do this.”
The true story of an extraordinary man of conscience who also happened to be an incredible shot with a rifle. York’s struggle with the conflicting dictates of his faith and his patriotism is perhaps a more compelling story that his battlefield exploits, and those—though documented—are so incredible as to seem like pulp fiction.
“Great care has been taken to preserve his mountain dialect.”
Writing this in York’s semi-literate dialect may have played well in the 1920s, but today’s reader will find it obscure and dishonest. This is obviously Continue reading →
A film of World War One “by a non-historian for non-historians” from the point of view of the British infantry soldier on the Western (European) Front. All film footage is from the Imperial War Museums’ archive restored and colorized, narrated by the voices of soldiers who served in it. The result is a terribly intimate view of the horror of World War One.
Some of the footage is not appropriate for children or the weak of stomach.
If you go, by all means stay for the half-hour short following the closing credits of Peter Jackson explains his production process.
“I’m never quite so gleeful as when I am doing something labeled as an ‘ought not.’” Elizebeth Friedman
History is often stranger–and more wonderful–than fiction. This tale supports that thesis. Elizebeth Friedman and her husband William invented modern cryptography and in the process helped win two world wars and put many criminals in jail. That they got little credit is par for the course.
“The whole deciphering business is based on what we call the mechanics of language. There are certain fixed ways in which language operates, so to speak; and by studying the known elements and making certain assumptions, one can arrive at a result that usually does the trick.” Elizebeth Friedman “She could break a code in a language she could not speak, but Continue reading →
Woodrow Wilson delayed the armistice because he was in secret negotiations with the Germans, leading them to think they were getting a better deal and unconditional surrender, based on his famous 14-points. In fact, The Treaty of Versailles was so bad it virtually guaranteed World War Two.
“It is always easier to start a war than to end one, let alone win it. … Harshness and vengeance nearly always return to haunt those who impose them. But of all the lesson that Versailles leaves us with, certainly the most insistent is that of the inability of the few any longer to govern the many.”
Exhaustive rendering of how the world’s leaders–especially France’s Clemenceau, Britain’s Lloyd George and America’s Wilson–crowned the horror of World War One with the charade of a “peace” that virtually guaranteed World War Two. That’s not news to most readers, but Woodrow Wilson’s role in raising then dashing international hopes may be.
“[Wilson] believed in words, in their beauty, in their ability to move people, in their power to give shape, and structure, and cohesion to the world–in their power, he appeared to believe, to transform reality.”
“They’re the salt of the earth and we are being told to send them over the top to walk across no man’s land with their packs on their backs. It breaks my heart, or what’s left of it.”
Horror and humanity collide. A window into life in London, Yorkshire, and the trenches a hundred years ago. Tolkien writes like an amalgam of his grandfather and Charles Dickens, but his characters don’t engage the reader. The protagonist offers insights to his situation and feelings, but sounds too modern.
“It’s like I looked at the sun too long and what I’ve seen has burnt away the meaning of everything. It’s left me hollow inside.”
Lingered too long in building his world and protagonist. Dickensian detailed descriptions Continue reading →