“There is an instinct in me to trust you blindly. Beyond reason, and beyond hope.”
Moderns whine the former dearth of recognized female authors and lead characters in speculative fiction. Like most generalizations that’s generally wrong. This book is a case in point. Published in 1977, it features a mostly female protagonist and supporting cast. Sadly, but understandably, the series male hero … (Oops, that’d be telling.)
“I know that silence … sometimes I think it’s a silence of living, then at other times, it changes to a silence of waiting.”
Simple, direct storytelling. Great impact. Hate to think how Robert Jordan would Continue reading →
“Would you like to learn real magic?” The boy snorts. “There’s no such thing.”
Excellent short story. As with the best of any genre, it is compact and forceful. Little fluff; lots of misdirection.
“The Guild is for magicians who feel the need to compete with each other. The Palace trains magicians who feel compelled to compete against themselves.” It’s perhaps the truest thing I’ll ever tell him.
Read it at one sitting; it’s short enough. Let yourself go to the power and flow of the narrator. It increases the final impact.
“Is magic only a trick I haven’t figured out yet?”
“Some things are unimaginable right up until you are looking at them, and even then, you might not want to believe. Love is that way, so is death.”
If anything, better than the first book, Age of Myths. Superficially Sullivan is not an epic fantasy writer like Rothfuss or Tolkien, but he weaves an excellent story amid afresh, if derivative world. Part of the fun is his tongue-in-cheek homages to classic fantasy.
“I hated my brothers. Dead for three years and they’re still trying to kill me.”
Satisfying conclusion with appropriate hooks into the next stories. Well done. Leavened with humor. Not so much as the Riyria stores, but enough. Waited for second volume for magic school, hooray! And the training was organic, taking the reader inside Continue reading →
Today many millions of you will see a total eclipse. For many it’ll be the only total solar eclipse you ever see. Enjoy.
The younger among you will have the opportunity to see three total solar eclipses over the next thirty years. Enjoy.
While solar eclipses happen every eighteen months, supposedly total eclipses repeat for a given spot on earth average only every 375 years. We’re about to blow that theory out of the water. The 2017, 2024 and 2045 eclipses will give Americans lots of opportunities to see an eclipse. Since the 2024 north-south route bisects the other two (which are essentially parallel east-west), folks in two areas may see two eclipses without leaving home. Enjoy.
If you happen to be in the eclipsed area, don’t just look at the sun. (Don’t look at the sun at all without special eye protection.) Look around. As the eclipse gathers and fades the light will change. It’s like sunrise or sunset, but will look significantly different. Enjoy.
Here’s why: As the sun sets or rises it passes through more of the atmosphere, shifting the observed colors toward the red. During an eclipse, there’s no such shift. The colors stay true, but saturate. It’ll look like an over-Photoshopped pictures. It’ll look like magic.
A friend recently called reading a “fictional dream.” I totally agree. I liken it to the writer casting a spell upon the mind of the reader, which the reader welcomes.
Incongruities or just plain dullness can break the spell. (In science fiction, it’s most often crappy science. In fantasy, it’s often internal inconsistencies.) Then, no matter how good the setup or the storytelling, it’s hard to stay engaged.
Verisimilitude (following the thinking of Karl Popper) is critical at that point, making possible what Samuel Taylor Coleridge called the “willing suspension of disbelief.” While the suspension takes place in the reader’s mind, it is the responsibility of the writer to maintain the “spell” not waking the reader from the “dream.” J. R. R. Tolkien called it an “enchantment” which “produces a secondary world into which both designer and spectator can enter.” As distinguished from “magic” which “produces, or pretends to produce, an alteration in the Primary World” (from his essay “On Fairy Stories”).
I want to lose myself in the story. I want, for a short time, to be transported to a different time or place and be totally involved in the story.
“You can’t get a cup of tea big enough or a book long enough to suit me.” C. S. Lewis