“Perhaps she could paint me with a halo.” “Nothing so explicit. Simply a ray of light emanating from heaven, as if you are favored by God.” “Ah, for that, I only need you seated at my right hand.”
Fitting end to the series: Jane and Vincent must deal with family, that most Austenian of plot movers. But Austen–even glamour–gradually recedes for center stage as our protagonists move far from the shores of England into physical, political and social situations as outside their experience as being impoverished in Venice, to Antiqua in the Caribbean.
“She held his gaze and waited. If there was one thing that a young lady learned, it was how to wait with a tranquil expression.”
Kowal tries to maintain a Jane Austen tone–to the point that the grammar is often stilted–but her subjects are far beyond the cloistered existence of Regency England. Kowal enjoys, and makes good use of, resources far beyond anything Austen could imagine.
“It was difficult to avoid noticing how many times Julian had been whipped. Jane ground her teeth together as they worked.” This was not England, but England was responsible.”
That other cultures may understand and use glamour differently than Europeans might seem obvious, but Jane like us occasionally misses what is right before her. Kowal does a credible job defining these alternate approaches–remembering Jane as many Americans seem unaware that Africa is a huge and diverse place–and imagining a credible response for Jane to it.
“His eyes were wide and serious with the slightly troubled expression unique to newborns, as if he had come into the world knowing how to right all the troubles but could no longer quite remember how.”